I like to shoot a variety of things: events, promotional spots, mini-documentaries and I need a camera that suits this type of versatility. When I decide on a camera I try to think ahead and figure out how well the camera will work in low light, tight settings, does it have the in-body tools I need to expose the picture correctly and so on. For the past few years I have owned several different Canon cameras. The Canon 60D was my first dslr, then came the 6D, and then I bought the Canon EOS Cinema C100. These cameras did well and performed to my expectations.
Technology is advancing and some companies are not willing to listen to their customers. As a videographer, I want to buy a camera from a company that is not going to hold back features from me. Companies such as Panasonic seem to listen to their customers and give them the features they want in a camera at a reasonable price.
The GH5 is small. Unlike the full sensor 6D, the Panasonic camera has a micro four thirds sensor. What does that mean? Because the micro four third sensors are small they do not allow much light as a full sensor camera does. Full sensors allows more light onto the sensor giving them a better low light ability light. There are ways to get around this though. You can buy a faster lens which will help you when you need more light. I like to use a F2.8 or less lens. Voigtlander makes manual lenses that have a F stop of 0.95. That equates to a very narrow depth of field. To focus on anything at a F 0.95 would be hard to do, plus it would have a glow effect around the subject. Stop the lens down to F 1.4 and you will have a stunning image. There are also speed boosters that will allow you to adapt you current non- micro four third lenses to the GH5. For instance, people have Canon glass and would need to buy a EF to M 4/3 adapter. Metabones makes great adapters that not only change the focal length of your lens but allow more light to enter the camera. When you have a micro four thirds lens it is double the length (12mm is really equals as a 24mm lens). However, when you adapt a 12mm ef lens to a M 4/3 Metabones Speedbooster, you have the equivalent of a 20mm (depending on which Speedbooster you choose 0.64 or 0.71).
Just yesterday I was hired to record video of a basketball team. I had a choice to bring either my Canon C100 or my new GH5. I knew I was not going to be on a tripod, so I wanted to implement the in-body stabilization the GH5 offers. The evf is very bright and when you use it you can see what your shooting, unlike some other cameras. By using the evf you can also steady your shot better by using the eyecup as another steady reference point. The combination of your right hand griping the camera, and your left hand is holding the lens and using the evf keeps it very steady. I shot the entire game without a monopod or tripod and the footage looked fine. Going hand held with the GH5 can be done!
I also could use this camera in a restaurant kitchen. The kitchen was very small. I could place the camera in discrete areas, where the C100 would have been too large to do so. I used the GH5 on a monopod which gave me the flexibility to shoot over the head shots as well as getting low angles. The kitchen was dark and I relied on my waveform monitor that is built into the camera to get correct exposure levels.
The GH5 does not have XLR inputs but you can buy audio adapters. I recently bought a Sound Devices Mix Pre-D, which has built in XLR inputs with both line level and mic level. I then can connect the device to my camera and monitor sound.
The GH5 can quickly come off a tripod after an interview and be placed on my Zhiyun-Tech Crane for gimbal shots. This camera is very versatile, and can be used in many situations. It is becoming my go to camera.
I have been working in television and media for over 18 years. My experience includes news photojournalist, editor, producer and storyteller. Throughout the years, I have been honored to receive the Edward R. Murrow award, Five Telly Awards, and many more. My motto is “THERE'S AN OPPORTUNITY TO BECOME BETTER AT MY CRAFT EACH TIME I GET BEHIND THE CAMERA."